JOANNA HARTLE
  • about
  • No one goes home whistling the lights
    • Degree Show 2022 BA (Hons) Art and the Environment
  • Creative Practice
    • Selected Artworks >
      • now is gone
      • BEYOND
      • 海の霧から : Umi no kiri kara : From the Sea fog
      • The Royal - Christmas Styling
      • Kristina Train
      • camino >
        • Camino days
      • Brandyhole studio
      • ghost
  • old news
    • Past past loves >
      • FloTsam Operatic Salvage
      • Dover Olympic Torch Relay
      • festifeel
      • Modes of Alikseer
      • Village Green
  • contact

noone goes home whistling the lights 

Artists and theorist to investigate

25/11/2021

 
Donna Haraway theorist
Critical review of You tube seminar
https://www.artandeducation.net/classroom/video/66322/donna-haraway-anthropocene-capitalocene-chthulucene-staying-with-the-trouble
Donna Haraway - Staying with the Trouble: Making Kin in the Chthulucenehttps://www.youtube.com/watch?v=GrYA7sMQaBQ - 56,437 views

Streamed live on Apr 26, 2017https://www.theguardian.com/environment/2019/may/30/anthropocene-epoch-have-we-entered-a-new-phase-of-planetary-history


Elizabeth P Povinelli - theorist - Dirt review of Seminar - Really interesting Conceptual theorist - 
Elizabeth Povinelli - Video Statement for "Collectively Annotated Bibliography"https://www.youtube.com/watch?v=F_ojwu0rbs4

​Michel Serres - Stones 
Topologies: Michel Serres and the Shapes of Thought
http://stevenconnor.com/topologies.html

Sound artist, Glasgow based
Susan Phillipsz - https://www.artangel.org.uk/surround-me/an-interview-with-susan-philipsz/
https://www.youtube.com/watch?v=2seKIksUt6A

https://www.youtube.com/watch?v=hh_5_CAySXYFestival of Sound Art 

History of Sound Art 
https://www.youtube.com/watch?v=3TySvvZEces
https://www.imdb.com/title/tt9888344/

​Susan Kozel: Phenomenology - Practice Based Research in the Arts, Stanford University
https://www.youtube.com/watch?v=mv7Vp3NPKw4
Phenomenology : A return to lived experience. 
Letters: The Art of Grieving : Artist as research for practice subjLetters: The art of grieving (2019) 
https://www.imdb.com/title/tt9888344/

The therapeutic effectiveness of using visual art modalities with the bereaved: a systematic reviewhttps://www.ncbi.nlm.nih.gov/pmc/articles/PMC5798551/
Psychol Res Behav Manag. 2018; 11: 9–24.
Published online 2018 Feb 1. doi: 10.2147/PRBM.S131993
PMCID: PMC5798551
PMID: 29440940Rachel E Weiskittle and Sandra E Gramling
Findings from our review suggest that grief interventions using visual art techniques facilitate continuing bonds and meaning making, but there is little evidence to support a significant impact on negative grief symptomatology. Furthermore, we know very little of the processes by which visual arts facilitate continuing bonds and meaning making. Given the multitude of individual differences and responses to loss, future research into the increasingly varied methods of grief therapies used to address the diversity of the bereavement experience is warranted. In the next stage of research examining expressive art as treatment modalities with the bereaved, an increase in theory-driven interventions, experimental research designs, assessment of individual difference variables, and quantitative analysis should be prioritized.

Moriarty, J (ed.), Adamson, R, Hayler, M, Ashmore, N, Marr, V, Diab, S & Fox, J 2019, Autoethnographies from the Neoliberal Academy: Rewilding, Writing and Resistance in Higher Education. 1st edn, Routledge.

Autoethnographies from the Neoliberal Academy: Rewilding, Writing and Resistance in Higher EducationJess Moriarty (Editor), Ross Adamson, Michael Hayler, Nicola Ashmore, Vanessa Marr, Susan Diab, Jane Fox
  • Centre for Arts and Wellbeing
  • Experimental Design Practices Research and Enterprise Group
  • Centre for Spatial, Environmental and Cultural Politics
  • Radical Methodologies (RaM) Research and Enterprise Group 

  • The Art of Greiving Trailer ( film not released yet) 
    https://www.youtube.com/watch?v=2G_a3OWBXa4&t=2 

The Mourning Stone Project 
https://www.a-n.co.uk/blogs/the-mourning-stone-project/

The Mourning Stone Project began in February 2015 and is an exploration of a chalk Downland landscape in relation to feelings of belonging, loss and shifts in time.

Jane Fox: The Mourning Stone Project
 Online, Online,
 Wed 15th December 2021
"The Mourning Stone Project began without me knowing it. I picked up the stone – a narrow speckled flint on a Sussex beach on September 7th 2014. It was where my sisters and I had lain together, floating in a calm sea, immediately after the death of our Father. I held that stone in my hand, buoyed by the water that had shaped and worn it. The stone held me, and fitted my hand as if I had squeezed it that way. This was the beginning of an ongoing series of artworks that engages walking, ritual and making amidst the material and agency of landscape." - Jane Fox

Jane Fox has a hybrid arts practice that embraces drawing, print and installation. Collaborative process lies at the heart of her activity and ranges from installation works made alongside others to poetic exchange with found material. Fox has exhibited in London and the South East, is a member of InkSpot Press and has a studio at Phoenix, Brighton. Fox is an experienced facilitator who has worked in a wide range of educational and community settings, including Rocket Artists Inclusive Studio, and is Senior Lecturer on the Fine Art Printmaking course in the School of Arts and Media at the University of Brighton.
​
Picture


This is a really interesting project that was established in 2015 - looking at how creatives explore the process and state of grief to explore loss, place and lived experience.

I am particularly drawn to Jane Foxs' work in this setting, and will continue to explore. 
In the piece above she talks of the stone she collected and walked with, this brings a cyclical exploration to my own practice, the use of the landscape having purchase on place and memory. I have collected pebbles and stones from beaches, this term I collected and dated pieces found in the grounds at Writtle to start the process of the changing mindset and thought processes occurring within me as well as the landscape response to the change in season and our relationship to this space. 

The Writtle piece, hangs in the window by my studio desk, with labels. It has not been named as yet. 

​In a previous extension of Camino (2011) I have started discovering the different types of rock formations across the northern Spain, an idea formed to collect and categorise the location, type and photograph and collect these to be placed with the field study journal at  La Cruz de Ferro where it is a ritual to place stones of sorrow that are carried on the journey. This project ahas not been actualised as yet. The idea of carrying stones, movement and deep connection to landscape, builds into the equation around immigration. 

ART21 - 
https://art21.org/about/

Definitions for Essays :: 
https://www.qualitativeresearch.net/index.php/fqs/article/view/1589/3095#:~:text=History%20of%20Autoethnography-,Autoethnography%20is%20an%20approach%20to%20research%20and%20writing%20that%20seeks,%3B%20HOLMAN%20JONES%2C%202005). Accessed 5.12.21 

Autoethnography:
An Overview1)
Carolyn Ellis, Tony E. Adams & Arthur P. Bochner
Abstract: Autoethnography is an approach to research and writing that seeks to describe and systematically analyze personal experience in order to understand cultural experience. This approach challenges canonical ways of doing research and representing others and treats research as a political, socially-just and socially-conscious act. A researcher uses tenets of autobiography and ethnography to do and write autoethnography.
​Thus, as a method, autoethnography is both process and product.
Key words: autoethnography; relational ethics; co-constructed narratives; interactive interviews; narrative; ethnography; personal narrative; narrative ethnographies


​

Comments are closed.

    Jo Hartle
    The creative meanderings of Jo in her final year of Art and Environment BA.

    ​

    Archives

    February 2022
    January 2022
    December 2021
    November 2021
    October 2021
    September 2021

    Categories

    All
    Academic Definitions
    Adobe
    AI
    Anicka YI
    Art As Expeience
    Art As Grief
    Art History
    Aruf Ishaq
    Aural History
    Autoethnology
    Beuys
    BEYOND
    Binding
    Biography
    CAaE
    Capitalism
    Catch Up
    Celeste Barber
    Chila Kumar Singh Burman
    Christian Sveaas Collection
    Collaborative Practice
    Colour
    Commentary
    Commercial
    Communication
    Concept Design
    Creative
    Creative Bravery
    Creative Estuary
    Creative Practice
    Cyborg
    Deep End
    Deep Peat
    Degree Show
    Development
    Discovering
    Doggerland
    Elementals
    Elsa James
    Estuary
    Etching
    Evaluation
    Feedback
    Feminism
    Film Maker
    Film-maker
    Film Making
    Film-making
    Fluxus
    Folklore
    Found Objects
    Geology
    Glen Dye
    Goddess Art
    Hangings
    Haraway
    Heartsong
    Human Body
    Identity
    Inspiration
    Journey
    Jukan Tateisi
    Kelly Ann Buckley
    King Johns Hunting Lodge
    Learning
    Leverage
    Life
    Lifecycle
    Light Sculptures
    Link Page
    Lino Cut
    Maps
    Mary Ellen Caroll
    Movements
    Music
    Mystical
    Narrative
    New Contemporaries 2021
    Norwegian Artists
    Outcome
    Pagan Art
    Participatory Practice
    Pecha Kucha
    PfE
    Povenelli
    Practice Based Research
    Presentations
    Print
    Progression
    Psychogeography
    Public Art
    Reflective
    Reflective Journal
    Research
    Resource
    Roots
    Science V Nature
    SEA FOG
    Seeing
    Semester 2
    Seren Metcalf
    Site Specific
    Sketching
    Social Environmental
    Social History
    Sound
    Sound Art
    Storytelling
    Strata
    Studio Practice
    Susan Phillipsz
    Technical
    The Gift
    Theories
    Theory
    Tutorial
    Vicuna
    VR/MR/ AR
    WAA
    Walking As Practice
    Waves And Water
    Weaving
    Whitechapel Gallery
    Wrapping
    Writing As Practice
    Yoko Ono

  • about
  • No one goes home whistling the lights
    • Degree Show 2022 BA (Hons) Art and the Environment
  • Creative Practice
    • Selected Artworks >
      • now is gone
      • BEYOND
      • 海の霧から : Umi no kiri kara : From the Sea fog
      • The Royal - Christmas Styling
      • Kristina Train
      • camino >
        • Camino days
      • Brandyhole studio
      • ghost
  • old news
    • Past past loves >
      • FloTsam Operatic Salvage
      • Dover Olympic Torch Relay
      • festifeel
      • Modes of Alikseer
      • Village Green
  • contact