JOANNA HARTLE
  • about
  • No one goes home whistling the lights
    • Degree Show 2022 BA (Hons) Art and the Environment
  • Creative Practice
    • Selected Artworks >
      • now is gone
      • BEYOND
      • 海の霧から : Umi no kiri kara : From the Sea fog
      • The Royal - Christmas Styling
      • Kristina Train
      • camino >
        • Camino days
      • Brandyhole studio
      • ghost
  • old news
    • Past past loves >
      • FloTsam Operatic Salvage
      • Dover Olympic Torch Relay
      • festifeel
      • Modes of Alikseer
      • Village Green
  • contact

noone goes home whistling the lights 

Bringing the rough ideas together for A#2 CIAE week of 1- 5 November

5/11/2021

 
After a long chat with Sam, I have finally realised why I am finding slight barriers in my process. Its because I already have an established way of producing my creative practice and this does not show development in-the way the course requires it. 
So much of my practice is based within my head or spoken through. Its the only way to keep up with it. Mood boards, stickers of random pieces of paper, a word - all have sought to remind me of that specific moment when I was considering it, I have streamlined my development to be quick to reference, and easy to develop with trawling ! ​So to slow it down, I have screen shot my process and will comment below:
Picture
Least week, I recorded the three pieces onto Garageband, this is a familiar programme to me, I wanted to see what the pieces felt and sounded like when spoken outloud. I was keen that the pieces needed to be in my voice, as I would have spoken them, no drama aside from the words written. This would also allow me to see if teh words flowed or that the words used - as I write then dont edit them feeling that they are then not a true recollection of the mind at that specific time. 

These tracks are in an earlier blog.
To explore furthser these writings were chosen because they represent a passing of time, three very different mindsets over that time.
19.09.21 Spain  - prior to my father passing but knowing it was imminent, at the hospital, on the beach , asking the sky or the divine or the universe for answers but directing it to my Dad.
11.10.21 Leigh On Sea -Two Tree Island  - Approximately 3 weeks after his passing, having been released from the 10 day Isolation the before  ( I isolated with my mom) and 3 weeks before the funeral
20.10.21 - Benfleet Essex, 13 months after his passing and a representative of the ever changing seasons, and the check in chat I have with my world. 
They also hold personal memory. I can remember where I was, what i was doing and how I felt in that moment. They also give a good indication of the different stages of loss. There are many writings, but these pieces seemed important and a true reflection of the journeys and show a representation of the times, although if when they are put into a single piece they do not flow, I will explore others that capture times that are prevalent. I have then acknowledged that these pieces recorded may need to be edited as they are trains of thought so therefore can be a starting point, without lessening the moment at the time. I may consider a 4th piece as I am returning to Spain at the End of November and will be able to film while there.

​ I find that writing is a way to slow my mind down. I tend to capture moments for myself, it is vulnerable place to be in sharing these inner workings of my mind with people. 

The next stage was to find the images that I wished to portray this, sky and birds are a running theme through my thoughts when writing at present, on the beach on my day of return to the UK after my father had passed, I played the music I had played to him in hospital. This is why I was so drawn to IN THE FOG  Julan  Tateisi at New Contemporaries. It was almost a call to see how I would express myself, obviously I have to remain true to my piece, yet be original in thought. 
Music features quite heavily, there are certain tunes that are residual in memory of my dad, and that time of his passing, I am considering how I might want to incorporate this. 

Each of the pieces has now got a footage that can go with it, like an initial sketch, and these are shown below, as raw video clips.
test piece then originating new areas to explore

Comments are closed.

    Jo Hartle
    The creative meanderings of Jo in her final year of Art and Environment BA.

    ​

    Archives

    February 2022
    January 2022
    December 2021
    November 2021
    October 2021
    September 2021

    Categories

    All
    Academic Definitions
    Adobe
    AI
    Anicka YI
    Art As Expeience
    Art As Grief
    Art History
    Aruf Ishaq
    Aural History
    Autoethnology
    Beuys
    BEYOND
    Binding
    Biography
    CAaE
    Capitalism
    Catch Up
    Celeste Barber
    Chila Kumar Singh Burman
    Christian Sveaas Collection
    Collaborative Practice
    Colour
    Commentary
    Commercial
    Communication
    Concept Design
    Creative
    Creative Bravery
    Creative Estuary
    Creative Practice
    Cyborg
    Deep End
    Deep Peat
    Degree Show
    Development
    Discovering
    Doggerland
    Elementals
    Elsa James
    Estuary
    Etching
    Evaluation
    Feedback
    Feminism
    Film Maker
    Film-maker
    Film Making
    Film-making
    Fluxus
    Folklore
    Found Objects
    Geology
    Glen Dye
    Goddess Art
    Hangings
    Haraway
    Heartsong
    Human Body
    Identity
    Inspiration
    Journey
    Jukan Tateisi
    Kelly Ann Buckley
    King Johns Hunting Lodge
    Learning
    Leverage
    Life
    Lifecycle
    Light Sculptures
    Link Page
    Lino Cut
    Maps
    Mary Ellen Caroll
    Movements
    Music
    Mystical
    Narrative
    New Contemporaries 2021
    Norwegian Artists
    Outcome
    Pagan Art
    Participatory Practice
    Pecha Kucha
    PfE
    Povenelli
    Practice Based Research
    Presentations
    Print
    Progression
    Psychogeography
    Public Art
    Reflective
    Reflective Journal
    Research
    Resource
    Roots
    Science V Nature
    SEA FOG
    Seeing
    Semester 2
    Seren Metcalf
    Site Specific
    Sketching
    Social Environmental
    Social History
    Sound
    Sound Art
    Storytelling
    Strata
    Studio Practice
    Susan Phillipsz
    Technical
    The Gift
    Theories
    Theory
    Tutorial
    Vicuna
    VR/MR/ AR
    WAA
    Walking As Practice
    Waves And Water
    Weaving
    Whitechapel Gallery
    Wrapping
    Writing As Practice
    Yoko Ono

  • about
  • No one goes home whistling the lights
    • Degree Show 2022 BA (Hons) Art and the Environment
  • Creative Practice
    • Selected Artworks >
      • now is gone
      • BEYOND
      • 海の霧から : Umi no kiri kara : From the Sea fog
      • The Royal - Christmas Styling
      • Kristina Train
      • camino >
        • Camino days
      • Brandyhole studio
      • ghost
  • old news
    • Past past loves >
      • FloTsam Operatic Salvage
      • Dover Olympic Torch Relay
      • festifeel
      • Modes of Alikseer
      • Village Green
  • contact